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Tang artists used lead glazes to create rich, smooth surfaces and added coloring oxides to create pure, bright colors. When fired, the glazes melted into a hard, glasslike finish. The glazes were then brushed, poured, or splashed over the piece and allowed to drip down before firing. To apply the glaze, the object was first covered with a white slip (clay thinned with water). Tang dynasty tomb objects often have multicolored lead-fluxed glazes known as “three-color” ( sancai) glaze, as in the vivid amber, straw, and green colors covering this camel. Glazes are a mixture of tiny crystals and ground minerals, which are added to create different colors. The seams were trimmed, smoothed, and covered over with clay in preparation for glazing Once the clay pieces were dry enough to support their own weight, they were joined together and attached to a flat base. Before the clay had completely dried, the sections were removed from the molds and details were incised and stamped onto them. The hollow sculpture was made by pressing thin sheets of earthenware clay into reusable, fired ceramic molds. This ceramic two-humped Bactrian camel was likely part of a set of objects placed in the tomb of an important person to signify wealth and position in society.

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